Jean-Michel Huguenin

Jean-Michel Huguenin is one of the first and foremost gallery owners of the colony of Saint Germain des Prés.

From more than 40 years, this discreet discoverer has been passionately collecting art items from Africa, America, Oceania and Asia.

His gallery «Majestic» is located at 27 rue Guénégaud in the 6th arrondissement of Paris.From 1964, 27 pieces coming from the Jean-Michel Huguenin gallery joined the collections of the musée de l’Homme, the musée national des arts d’Afrique et d’Océanie and subsequently the musée du quai Branly.

Among these 27 pieces, three were donated:

  • A small wooden Bena Lulua statuette (Congo), donated in 1964 to the musée de l’Homme
  • A small Makonde head (Tanzania), donated in 1969 to the musée de l’Homme
  • And above all, an exceptional object donated to the musée du quai Branly in 2006 : a Boli cult object. It is exhibited in the permanent collections of the museum in the Africa section.
sacred animal of Kono - Click to enlarge, open in a new window
sacred animal of Kono – Boli (Mali), End 19th – early 20th century
sacred animal of Kono - Click to enlarge, open in a new window
Donation by Jean-Michel Huguenin © musée du quai Branly, photos Patrick Gries

Description of this Boli cult object in the book Musée du quai Branly – La Collection (Skira Flammarion, 2009) :

«The gallery owner and collector Jean-Michel Huguenin held this piece since long, having acquired it in Mali in 1972.

This object has two «brothers» in the musée du quai Branly, out of which one comes from the collection of the musée de l’Homme, and the other from the collection of the musée des Arts d’Afrique et d’Océanie.What one does know best about these strange objects called boli is the story of their appearance in European collections, thanks to the Michel Leiris's publications (report of the famous Dakar-Djibouti expedition, headed by Marcel Griaule, who «collected» 3,500 pieces for the musée du Trocadéro that Leiris narrated in the bookl’Afrique Fantôme.Insofar as the boli related to that period is concerned, Michel Leiris did not hide the brutal nature of the «seizure».

As regards the worship of Konothat the boliw belong to, it remains ill known.

The boli allows harnessing, accumulating and controlling a vital energy, the nyama, a sort of natural and spiritual force.The most sacred object of the Bamana people (Mali), it is kept in a shrine, sheltered from the eyes of the uninitiated.

Strictly speaking, it is to do less with sculpture than with assembling, because the object is fashioned, according to a highly complex symbolism and ritual, from an amalgam of various fragments:wood, bark, leaves, mud, leather, cotton thread, bone, hair, claws, fangs, blood, and other animal and human body parts, such as placenta, phalanx, etc.


For these veritable condensed forms of mineral, animal and vegetal forces to take effect, they need to be flattered by active words, looked after by subtle sprinklings and fed by bloody sacrifices.

The crusty glaze, fashioned with cream of millet and dried blood, as well as vegetable powder and cola nuts chewed and then spat out during prayers and sacrifices addressed to Kono testify to the oldness and the force of the object.

This mixture of organic matter gives the boli a barely identifiable shape:the appearance is zoomorphous but does not relate to any specific animal. According to certain specialists, the boli donated by Jean-Michel Huguenin is none other than the Makongoba, identified as the «royal fetish» of the State of Segou (1652-1862); but others give it the name of Watiriwa. A remarkable feat about this boli is that while it horrified missionaries, it immediately fascinated avant-garde artists in the '30s and particularly the surrealists.Its provocative, mysterious, fetish, objectified, magical character, haunted by themes of sacrifice has undoubtedly played a role in this: it is a fairy object, which comes across as being interesting, and even conceptual, without one having to necessarily explain the reasons thereof».