le catalogue de l'exposition : Autres Maîtres de l'Inde, coédition musée du quai Branly et Somogy, 160 p.
le hors-série de l'exposition : Autres Maîtres de l'Inde, Beaux-Arts magazine, 52 p., 8 €
la librairie du musée vous propose également une sélection d'ouvrages, de CD et de DVD autour de l'exposition : télécharger la liste (format PDF)
cette exposition a été réalisée dans le cadre du festival de l'Inde en France.
Other Masters of India
contemporary creations of the Adivasis
temporary exhibition ticket or twin ticket
Friday June 11th, from 11am to 21pm, access to the exhibition is free
from thursday 30th march to sunday 18th july 2010
general curator : Jyotindra Jain
associated curator : Jean-Pierre Mohen
scientific advisor : Vikas Harish
This exhibition unravels another face of India: The India of indigenous populations and folk communities, known as Adivasis.
These people produce astounding creative visual art works that are as utilitarian as they are sacred and quite different from the standard renowned works from the Indian art scene. For the very first time in France, the musée du quai Branly showcases the most representative material, day-to-day, artistic and religious productions of these Indian populations in a thematic and multidisciplinary approach thereby allowing the public to discover an important but still highly unrecognized part of the contemporary popular art scene in India.
Spread over the entire territory and identified in the 1950 census, these populations keep up their artistic traditions while being in constant contact with the dominant Indian population. Equally well-known for living traditions such as dance, music and theatre that developed at the fringes of the huge Hindu communities, they still remain barely known to the Western world. For a long time, the representations of the Adivasis were full of prejudices far removed from reality, as much for the Indians as for the foreigners. The exhibition thus reveals their true face, and showcases their amazing artistic productions.
Photographs, wall paintings of the Rathava tribe from Gujarat, tribal bronze figurines from Orissa and Chattisgarh, sculptures from North-Eastern India, wooden sculptures from Karnataka and from Bihar and architectural bas-reliefs crafted by the women artists from Chattisgarh will be exhibited.
The exhibition culminates with the monographs of world renowned contemporary artists, who are present at the highest rungs of the world art market: the painters Jivya Soma Mashe and Jangarh Singh Shyam, who chose to widen the field of their expression in order to depict their contemporary cultural situation in their works.
Coming from collections of the musée du quai Branly, European and Indian museums as well as private collections and specific orders from Indian artists within the framework of the exhibition, the showcased objects bear testimony to the vibrancy of the artistic traditions of these different communities, and to their evolution and their exposure to the outside world.
spectacles cycle Inde
Pandit Hariprasad Chaurasia
hommage et rencontre avec un grand maître de la musique indienne
- du vendredi 4 au dimanche 6 juin 2010
Danses sacrées de l’Inde, de l’Assam à l’Orissa
- du jeudi 10 au dimanche 13 juin 2010
cycle Autres documentaires en Inde samedi 19 et dimanche 20 juin
en lien avec l'exposition Autres Maîtres de l'Inde, et prolongeant le cycle Grands maîtres du cinéma indien, quatre séances de cinéma proposent des films documentaires réalisés en Inde au cours de ces dernières années.
discover the other masters of India with an art historian and storytellers, for an original and poetic tour through the heart of Adivasi's India.
the audio-guided tour of the exhibition is available in French and English, on site, or by downloading
samples from the audio tour
the exhibition visit
This introductory section illustrates the tribal situation in India during the colonial, postcolonial and contemporary periods by showcasing texts, maps and photographs. It allows the exhibition to distinguish itself from the tendentious stereotypes that are usually associated with "adivasi" people and communities, by highlighting their historical dimension and their contemporary status.
Chromos, engravings and post cards representing indigenous tribes “adivasi” populations in a historical perspective. Post independence photographs depicts these communities being presented at the Republic Day parades and photographed with national leaders. Finally, the works of contemporary photographers Dayanita Singh and Pablo Bartholomew are exhibited.
section 2 - the people
In a non-linear fashion, the exhibition presents eleven macrocosms each corresponding to a different set of people; each one of these populations is characterized here by its ritualistic and artistic material productions. Right from the garden itself, visitors are welcomed by huge sculptures, terracota works by the Ayyanars, specially ordered by the museum from Indian artisans.
- Bhuta sculptures (Karnataka)
The exhibition showcases wooden sculptures of Butha worship, in Karnataka (South India) – from the Crafts Museum of New Delhi -, as well as a collection of bronze masks, and other objects (armours) linked to this form of worship -belonging to private collections.
- Architectural bas-reliefs: the women artists of Chattisgarh
These clay sculptures, on bamboo or wooden architectural framework, present figurines; these were part of a special order for the musée du quai Branly.
- Andaman and Nicobar (South-East India)
This sequence showcases coloured wooden sculptures, representing the myth of creation. The showcased objects belong to the musée du quai Branly and the Völkerkunde Museum of Vienna.
- Ayyanar craft works: terra-cotta sculptures (Tamil Nadu)
These monumental terra-cotta sculptures (3 metres high), partly already discovered by the public representing horses, elephants, tigers, terrifying gods from Tamil Nadu (South India)
- Tomb of Molela: Clay gods (Rajasthan)
Natural or coloured clay panels will be exhibited as mural compositions or as individual pieces, as they are put up in ertain temples of Rajasthan.
- Pithora: mural paintings (Western Centre of Gujarat)
The mural paintings of the Rathava tribe showcased in the exhibition are also art of a special order for the musée du quai Branly. Traditionally created of arthen walls, they are exceptionally produced on canvases.
The enclosure made for presenting these paintings showcases a main painting (the myth of creation) and secondary paintings on the lateral walls (in all three panels on canvas).
- Tribal bronze figurines from the Bastar area, and Kondh regions (Orissa)
The exhibition proposes the discovery of two groups of indigenous statuettes, cult related figurines, in bronze, accompanied by objects from daily life belonging to the collections of the musée du quai Branly, as well as big-sized contemporary sculptures, made by various artists. This section of the exhibition also showcases cultural figurines from the Kondh (Orissa) and Gon (Chattisgarh) regions, along with other objects depicting day-to-day life.
- Santhal: sculptures on wood and paintings (West Bengal)
Sculptures on wood (masks and musical instruments) and painted rolls – that can reach up to 7 metres of length – which relate various founding myths of the Santhal culture.
- Waghri (Gurajat)
A 5 metre long temple textile created by the nomadic Waghri community from Gujarat has been exhibited here. Locally called Matani- Pachedi (literally "from behind the goddess"), it was installed behind the deity and thus served as a temporary altar for this community that is continuously on the move.
- Naga (North-East of India)
The mountainous villages of the Nagas are represented through exceptional works such as warriors statues made of wood, jewellery and ceremonial clothes and warriors’ dresses.
- Adivasi paintings
The prolific works from the region of Madhya Pradesh and Chattisgarh have made us discover excellent popular painters: the paintings were carried out in return for the government’s support, and given as “remuneration” in particular for food aid given to the indigenous populations. Among the contemporary artists showcased in this “microcosm”, we find artists like Anand Shyam, Bhuri Bai, Dileep Shyam or Nankusia Shyam.
The visitors will also be able to admire 3 particularly impressive items: A wooden 6 metres long serpent, a wooden and cloth palanquin and a Bastar tiger sculpture made of painted terra-cotta. These three sculptures come from the collections of the Museum of Man of Bhopal in India.
section 3 - comtemporary artists
This third and last section proposes a selection in the works of two world renowned contemporary artists, and present at the highest echelon of the global art market. Jivya Soma Mashe (Warli tribe /Thane district) and Jangarh Singh Shyam (Gond people, Madhya Pradesh). Their works are showcased in a monographic fashion.