Le site internet du musée du quai Branly vous permet de consulter l’ensemble de sa collection d'objets, soit près de 300 000 objets.
cliquez ici pour accéder au catalogue des objets
Le site donne également accès à la collection de l’iconothèque, soit près de 700 000 pièces, photographies, affiches, albums de photographies, cartes postales, gravures ou dessins.
cliquez ici pour accéder au catalogue de l'iconothèque
Certains matériaux tels les textiles, les plumes ou le papier, sont particulièrement sensibles à l’intensité lumineuse. Exposés trop longtemps, ils risquent de subir des dégradations irréversibles. Afin de préserver les objets constitués de ce type de matériaux, le musée du quai Branly assure un contrôle hebdomadaire de l’éclairement du plateau des collections et a mis en place un système de rotations des objets photosensibles. En un an, plus de 400 pièces fragiles sont remplacées afin de retourner en réserves.
The scenes depicted in works of art from Nigeria and protective figures from Central Africa revisited…
You can see this Afro-Portuguese ivory saltcellar from the 16th century, acquired by the Quai Branly Museum in 2008, among the Yoruba works and objects from the kingdom of Benin in Nigeria in the collections area.

After the installation of three recently acquired Yup’ik masks from Alaska (Robert Lebel collection) two new display cabinets dedicated to the Arctic and depicting the Inuit Ammassalimiut from Greenland were completed in late 2008.
The Quai Branly Museum holds a very important collection of several thousand objects from the Ammassalik district in southeast Greenland brought back by the French expeditions of 1934-35 led by Paul-Emile Victor and Robert Gessain. A new display cabinet also presents a series of masks used for profane winter rituals in the large houses built of peat and stone, at a time when shamanic practices were no longer officially performed as the population had become Christian.
Elsewhere, different types of small sculptures are exhibited such as wooden dolls, ivory figurines and shotgun stands decorated with male or female busts. These sculptures are on display beside a remarkable set of tupileks. In the beginning, tupileks were evil creatures made in secret using different perishable materials. Following contact with Europeans, tupileks took on the form of small figurines made of wood, bone or ivory: composite creatures that were half-human, half-animal.
musée du quai Branly
37, quai Branly
75007 – Paris
Tel. : 01 56 61 70 00
tuesday, wednesday and sunday : 11am . 7pm
thursday, friday, saturday : 11am . 9pm
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