Photoquai's Residencies


Simultaneously a museum, a cultural center, and a place for research and teaching, the musée du quai Branly was born from the political desire to highlight non-European cultures, in the heart of Paris. The museum gathers a collection of 300 000 objects, a considerable collection of graphic art and a photographic collection composed of more than 70 000 pieces.

The museum’s policy is based on a dynamic and opened proposal: “where cultures meet in dialogue.” This idea is the driving force behind most of the Museum’s lines of action: cultural programming, disseminating and sharing knowledge and expertise with the cultures originating the collections, international cooperation, and making the collections available to others.

In the perspective of supporting non-European contemporary creation, in particular in the field of photography, the musée du quai Branly has launched since 2008 an artistic creation subsidy program. The Photoquai’s Residencies program gives every year one or several photographers culturally belonging to one of the four continents represented in the collection of the musée du quai Branly, the chance to develop an innovative work, in coherence with their personal aesthetic path.

The Photoquai’s Residencies benefit to the support and enhancement of an artistic expression barely visible in France, by financing part or all of a creative project. The photographic works produced as part as this program are intended to enrich the museum’s collections at the end of every residency period. Thus, they contribute to the constitution of the contemporary photographic collection of the museum.

Call for application 2015

Call for 2015 Photoquai's Residencies is open.

Useful information

Résidences de Photoquai
Direction du développement culturel
musée du quai Branly
222 rue de l'Université
75343 Paris Cedex 07

The Photoquai's Residencies laureates


Hyung-Geun Park (South Korea), Tumen Project, residency in south Korea, China and Russia 

Sameer Tawde (Inde), Miracle Robots, residency in India 

Mehrdad Naraghi (Iran), Japanese Gardens, residency in Japan 


Nyaba Léon Ouedraogo (Burkina Faso), Les dévoreuses d’âmes, residency in Burkina Faso

Pedro David (Brazil), 360 Metros Quadrados, residency in Brazil

Daniela Edburg (Mexico), Wadmal – The sample project Iceland, residency in Iceland


with the support of

Crédit Agricole : corporate and investment bank


Lek Kiatsirikajorn (Thailand), Lost in Paradise, residency in Thailand

Che Onejoon (South Korea), A Monumental Tour, residency in Africa

Hugo Aveta (Argentina), Construire la mémoire, residency in South America



Joao Castilho (Brazil), Vade retro, residency in Brazil

Hak Kim (Cambodia), Someone, residency in Kep, Cambodia

Andrew Esiebo (Nigeria), Pride, residency in West Africa


Cinthya Soto (Costa Rica), Paysage (re)trouvé : à la recherche du paradis perdu, residency in South America

Fiona Pardington (New-Zealand), Whakaahua : The pressure of Sunlight falling, residency in Paris

Roberto Caceres (Peru), Chifa, Chinese culture in Peru, residency in Peru


Pablo Bartholomew (India), Indians in France, residency in France

Wayne Liu (Taiwan), This is Belgrade, residency in Serbia


Sammy Baloji (Congo Democratic Republic), Allers et retours, residency in France

Lourdes Grobet (Mexico), Equilibrium and Resistance, residency in Alaska

Wu Qi (China), Rural Catholic China, residency in China

with the support of

fondation Total